It's a brave new world and Dorothy doesn't live in Kansas anymore.
Like most businesses and organizations Art is seeing paradigm shifts that are leaving seasoned professionals feeling like we've been banished to a deserted island or launched to the planet Mars. Education is no longer tied to bricks and mortar classrooms and MOOC courses include participants from around the globe in such quantities that instructors filtered by layers of assistants never have contact with their students. Art students rarely dirty their hands with such things as charcoal or turpentine, and most arrive at their educational institutions with little or no knowledge of historical art-making techniques and supplies.
Like most businesses and organizations Art is seeing paradigm shifts that are leaving seasoned professionals feeling like we've been banished to a deserted island or launched to the planet Mars. Education is no longer tied to bricks and mortar classrooms and MOOC courses include participants from around the globe in such quantities that instructors filtered by layers of assistants never have contact with their students. Art students rarely dirty their hands with such things as charcoal or turpentine, and most arrive at their educational institutions with little or no knowledge of historical art-making techniques and supplies.
No caption needed. |
You might say the world has gone
to pot! And though it appears I will see legalization of marijuana in the US in
my lifetime, I cannot say all is bad in the world of art and education.
Thinking historically, if we look at the Industrial Revolution, we see
definitions that include 'moving from hand production methods to machines'. This
was not necessarily bad since it allowed us to move forward and reach avenues that no one had previously accomplished or even considered. But in art and design, the 'IR' distanced and separated the artist, architect, and designer from the very thing he or she conceived. Eventually products in particular seemed sterile, obviously
manufactured and eventually influenced an Arts and Crafts style that
emphasized traditional craftsmanship described to be 'essentially
anti-industrial'.
Even today we see DIY movements
popping up across the globe where artists seek a return to low-tech and
historical processes that include hands-on and the identifiable touch of the artist. As for myself, I am very interested in natural materials for
painting, dying, printing and drawing. Gathering walnuts in the fall is a great
way to bring a class to bonding camaraderie. Soaking and processing the nuts
and hulls, (while students snap selfies with their bounty), renders wonderful brown liquid that is used for dying, drawing and
printing. Suddenly those students see the tree, the nuts (fruit), the brown liquid,
their iPhone and computer in a different way. Starting small can lead to bigger things..........Making connections and making art from those connections may be just what we need to get us through this "Brave New World".
Happy Labor Day !!
Walnuts in the shell with outer hull. |
Walnuts with hulls in a cast iron pot soaking in water. |
BTW, Hemp is a great natural material that (among other uses) renders oil, wax, resin, rope, cloth, pulp, paper, and fuel. All can be used in 'making'.
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